The Time Machine (Holt text)/The Palace of Green Porcelain

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The Palace of Green Porcelain.

HIS Palace of Green Porcelain, when we approached it about noon, was, I found, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away in places from the corroded metallic framework. It lay very high upon a turfy down, and, looking northeastward before I entered it, I was surprised to see a large estuary, or an arm of the sea, where I judged Wandsworth and Battersea must once have been. I thought then—though I never followed the thought up—of what might have happened, or might be happening, to the living things in the sea.

"The material of the Palace proved, on examination, to be indeed porcelain, and above the face of it I saw an inscription in some unknown characters. I thought, rather foolishly, that Weena might help me to interpret this, but I only learned that the bare idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was, perhaps because her affection was so human.

"Within the big valves of the door—which were open and broken—we found, instead of the customary hall, a long gallery lit by many side windows. Even at the first glance I was reminded of a museum. The tiled floor was thick with dust, and a remarkable array of miscellaneous objects were shrouded in the same gray covering. Clearly, the place had been derelict for a very considerable time.

"Then I perceived, standing strange and guant in the center of the hall, what was clearly the lower part of the skeleton of some huge animal. As I approached this I recognized by the oblique feet that it was some extinct creature after the fashion of the megatherium. The skull and the upper bones lay beside it in the thick dust, and in one place where rain water had dripped through some leak in the roof, the skeleton had decayed away. Further along the gallery was the huge skeleton barrel of a brontosaurus. My museum hypothesis was confirmed. Going toward the side of the gallery I found what appeared to be sloping shelves, and clearing away the thick dust, I found the old familiar glass cases of our own time. But these must have been air-tight to judge from the fair preservation of some of their contents.

"Clearly we stood among the ruins of some latter day South Kensington. Here apparently was the Palæontological Section, and a very splendid array of fossils it must have been; though the inevitable process of decay that had been warded off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine-hundreths of its force, was nevertheless, with extreme sureness, if with extreme slowness, at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed—by the Morlocks, as I judged.

"The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea urchin down the sloping glass of a case, presently came, as I stared about me, and very quietly took my hand and stood beside me.

"At first I was so much surprised by this ancient monument of an intellectual age that I gave no thought to the possibilities it presented me. Even my preoccupation about the Time Machine and the Morlocks receded a little from my mind. The curiosity concerning human destiny that had led to my time traveling was removed. Now, judging from the size of the place, this Palace of Green Porcelain had a great deal more in it than a gallery of palæontology; possibly historical galleries, it might be even a library. To me, at least in my present circumstances, these would be vastly more interesting than this spectacle of old-time geology in decay.

"Exploring, I found another short gallery running transversely to the first. This appeared to be devoted to minerals, and the sight of a block of sulphur set my mind running on gunpowder. But I could find no saltpeter; indeed no nitrates of any kind. Doubtless they had deliquesced ages ago. Yet the sulphur hung in my mind and set up a train of thinking. As for the rest of the contents of that place, though on the whole they were the best preserved of all I saw—I had little interest. I am no specialist in mineralogy, and I soon went on down a very ruinous aisle running parallel to the first hall I had entered.

"Apparently this section had been devoted to Natural History, but here everything had long since passed out of recognition. A few shriveled vestiges of what had once been stuffed animals, dried-up mummies in jars that had once held spirit, a brown dust of departed plants, that was all. I was sorry for this, because I should have been glad to trace the patient readjustments by which the conquest of animated nature had been attained.

"From this we come to a gallery of simply colossal proportions, but singularly ill lit, and with its floor running downward at a slight angle from the end at which I entered it. At intervals there hung white globes from the ceiling,—many of them cracked and smashed,—which suggested that originally the place had been artificially lit. Here I was more in my element, for I found rising on either side of me the huge bulks of big machines, all greatly corroded, and many broken down, but some still fairly complete in all their parts. You know I have a certain weakness for mechanism, and I was inclined to linger among these, the more so since for the most part they had the interest of puzzles, and I could make only the vaguest guesses of what they were for. I fancied if I could solve these puzzles I should find myself in the possession of powers that might be of use against the Morlocks.

"Suddenly Weena came very close to my side, so suddenly that she startled me.

"Had it not been for her I do not think I should have noticed that the floor of the gallery sloped at all.[1] The end I had entered was quite above ground, and was lit by rare slit-like windows. As one went down the length of the place, the ground came up against these windows, until there was at last a pit like the 'area' of a London house, before each, and only a narrow line of daylight at the top. I went slowly along, puzzling about the machines, and had been too intent upon them to notice the gradual diminution of the light, until Weena's increasing apprehension attracted my attention.

"Then I saw that the gallery ran down at last into a thick darkness. I hesitated about proceeding, and then as I looked around me, I saw that the dust was here less abundant and its surface less even. Further away toward the dim, it appeared to be broken by a number of small narrow footprints. At that my sense of the immediate presence of the Morlocks revived. I felt that I was wasting my time in my academic examination of this machinery. I called to mind that it was already far advanced in the afternoon, and that I had still no weapon, no refuge, and no means of making a fire. And then, down in the remote black of the gallery, I heard a peculiar pattering and those same odd noises I had heard down the well.

"I took Weena's hand. Then struck with a sudden idea, I left her, and turned to a machine from which projected a lever not unlike those in a signal box. Clambering upon the stand of the machine and grasping this lever in my hands, I put all my weight upon it sideways. Weena, deserted in the central aisle, began suddenly to whimper. I had judged the strength of the lever pretty correctly, for it snapped after a minute's strain, and I rejoined Weena with a mace in my hand more than sufficient, I judged, for any Morlock skull I might encounter.

"And I longed very much to kill a Morlock or so. Very inhuman, you may think, to want to go killing one's own descendants, but it was impossible somehow to feel any humanity in the things. Only my disinclination to leave Weena, and a persuasion that if I began to slake my thirst for murder my Time Machine might suffer, restrained me from going straight down the gallery and killing the brutes I heard there.

"Mace in one hand and Weena in the other we went out of that gallery and into another still larger, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognized as the decaying vestiges of books. They had long since dropped to pieces and every semblance of print had left them. But here and there were warped and cracked boards and metallic clasps that told the tale well enough.

"Had I been a literary man I might perhaps have moralized upon the futility of all ambition, but as it was, the thought that struck me with keenest force, was the enormous waste of labor rather than of hope, to which this somber gallery of rotting paper testified. At the time I will confess, though it seems a petty trait now, that I thought chiefly of the Philosophical Transactions, and my own seventeen papers upon physical optics.

"Then going up a broad staircase we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of discovering something to help me. Except at one end where the roof had collapsed, this gallery was well preserved. I went eagerly to every unbroken case. And at last, in one of the really air-tight cases, I found a box of matches. Very eagerly I tried them. They were perfectly good. They were not even damp.

"At that discovery I suddenly turned to Weena. ’Dance!' I cried to her in her own tongue. For now I had a weapon indeed against the horrible creatures we feared. And so in that derelict museum, upon the thick soft coating of dust, to Weena's huge delight, I solemnly performed a sort of composite dance, whistling 'The Land of the Leal' as cheerfully as I could. In part it was a modest cancan, in part a step dance, in part a skirt dance,—so far as my tail coat permitted,—and in part original. For naturally I am inventive, as you know.

"Now, I still think that for this box of matches to have escaped the wear of time for immemorial years was a strange, and for me, a most fortunate thing. Yet oddly enough I found here a far more unlikely substance, and that was camphor. I found it in a sealed jar, that, by chance, I supposed had been really hermetically sealed. I fancied at first the stuff was paraffin wax, and smashed the jar accordingly. But the odor of camphor was unmistakable. It struck me as singularly odd, that among the universal decay, this volatile substance had chanced to survive, perhaps through many thousand years. Is reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnite that must have perished and become fossilized millions of years ago. I was about to throw this camphor on one side, and then remembering that it was inflammable and burnt with a good bright flame, I put it into my pocket.

"I found no explosives, however, or any means of breaking down the bronze doors. As yet my iron crowbar was the most hopeful thing I had chanced upon. Nevertheless I left that gallery greatly elated by my discoveries.

"I cannot tell you the whole story of my exploration through that long afternoon. It would require a great effort of memory to recall it at all in the proper order, I remember a long gallery containing the rusting stands of arms of all ages, and that I hesitated between my crowbar and a hatchet or a sword. I could not carry both, however, and my bar of iron, after all, promised best against the bronze gates. There were rusty guns, pistols, and rifles here; most of them were masses of rust, but many of aluminum, and still fairly sound. But any cartridges or powder there may have been had rotted into dust. One corner I saw was charred and shattered; perhaps, I thought, by an explosion among the specimens there. In another place was a vast array of idols—Polynesian, Mexican, Grecian, Phoenician, every country on earth, I should think. And here, yielding to an irresistible impulse, I wrote my name upon the nose of a steatite monster from South America that particularly took my fancy.

"As the evening drew on my interest waned. I went through gallery after gallery, dusty, silent, often ruinous, the exhibits sometimes mere heaps of rust and lignite, sometimes fresher. In one place I suddenly found myself near a model of a tin mine, and then by the merest accident I discovered in an air-tight case two dynamite cartridges; I shouted 'Eureka!' and smashed the case joyfully. Then came a doubt. I hesitated, and then selecting a little side gallery I made my essay. I never felt such a bitter disappointment as I did then, waiting five, ten, fifteen minutes for the explosion that never came. Of course the things were dummies, as I might have guessed from their presence there. I really believe had they not been so, I should have rushed off incontinently there and then, and blown sphinx, bronze doors, and, as it proved, my chances of finding the Time Machine all together into non-existence.

"It was after that, I think, that we came to a little open court within the palace, turfed and with three fruit trees. There it was we rested and refreshed ourselves.

"Toward sunset I began to consider our position. Night was now creeping upon us and my inaccessible hiding-place was still to be found. But that troubled me very little now. I had in my possession a thing that was perhaps the best of all defenses against the Morlocks. I had matches again. I also had the camphor in my pocket if a blaze were required. It seemed to me that the best thing we could do would be to pass the night in the open again, protected by a fire.

"In the morning there was the Time Machine to obtain. Toward that as yet I had only my iron mace. But now with my growing knowledge I felt very differently toward the bronze doors than I had done hitherto. Up to this I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work.

  1. It may be, of course, that the floor did not slope, but that the museum was built upon the side of the hill.—Editor.