flatter, caress) is equivalent to to make smooth and fair; in the language of weavers it means to smooth the warp.
Verses 4-5
In Pro 5:4 the reverse of the sweet and smooth external is placed opposite to the attraction of the seducer, by whose influence the inconsiderate permits himself to be carried away: her end, i.e., the last that is experienced of her, the final consequence of intercourse with her (cf. Pro 23:32), is bitter as wormwood, sharp as a two-edged sword. The O.T. language regards bitterness and poison as related both in meaning and in reality; the word לענה (Aq. ἀψίνθιον = wormwood) means in Arab. the curse. חרב פּיּות is translated by Jerome after the lxx, gladius biceps; but פּיפיּות means double-edged, and חרב שׁני פיות (Jdg 3:16) means a doubled-edged sword. Here the plur. will thus poetically strengthen the meaning, like ξίφος πολύστομον, that which devours, as if it had three or four edges (Fl.). The end in which the disguised seduction terminates is bitter as the bitterest, and cutting as that which cuts the most: self-condemnation and a feeling of divine anger, anguish of heart, and destructive judgment. The feet of the adulteress go downward to death. In Hebr. this descendentes ad mortem is expressed by the genitive of connection; מות is the genitive, as in יורדי בור, Pro 1:12; elsewhere the author uses יורדות אל, Pro 7:27; Pro 2:18. Death, מות (so named from the stretching of the corpse after the stiffness of death), denotes the condition of departure from this side as a punishment, with which is associated the idea of divine wrath. In שׁאול (sinking, abyss, from שׁאל, R. של, χαλᾶν, vid., under Isa 5:14), lie the ideas of the grave as a place of corruption, and of the under-world as the place of incorporeal shadow-life. Her steps hold fast to Hades is equivalent to, they strive after Hades and go straight to it; similar to this is the Arab. expression, hdhâ âldrb yâkhdh âly âlbld: this way leads straight forward to the town (Fl.).
Verse 6
If we try to connect the clause beginning with פּן with 5b as its principal sentence: she goes straight to the abyss, so that by no means does she ever tread the way of life (thus e.g., Schultens), or better, with 6b: never more to walk in the way of life, her paths fluctuate hither and thither (as Gr. Venet. and Kamphausen in Bunsen's Bibelwerk, after Bertheau and Ewald, translate); then in the former case more than in the latter the difference of the subject opposes itself, and in the latter, in addition, the לא תדע, only disturbing in this negative clause. Also by the arrangement of
