central hall, where stands that old clock-case which Maria wound up when she was over eighty years old. To the right and to the left along the passages were rooms opening from one into another. I could imagine Sir Walter's kind eyes looking upon the scene, and Wordsworth coming down the stairs, and their friendly entertainer making all happy, and all welcome in turn; and their hostess, the widowed Mrs. Edgeworth, responding and sympathising with each. We saw the corner by the fire where Maria wrote; we saw her table with its pretty curves standing in its place in the deep casements. Miss Edgeworth's own room is a tiny little room above looking out on the back garden. This little closet opens from a larger one, and then by a narrow flight of stairs leads to a suite of ground-floor chambers, following one from another, lined with bookcases and looking on the gardens. What a strange fellow-feeling with the past it gave one to stand staring at the old books, with their paper backs and old-fashioned covers, at the gray boards, which were the liveries of literature in those early days; at the first editions, with their inscriptions in the author's handwriting, or in Maria's pretty caligraphy. There was the Pirate in its original volumes, and Mackintosh's Memoirs, and Mrs. Barbauld's Essays, and Descartes's Essays, that Arthur Hallam liked to read; Hallam's Constitutional History, and Rogers's Poems, were there all inscribed and dedicated. Not less interesting were the piles of Magazines that had been sent from America. I never knew before how many Magazines existed even those early days; we took some down at hazard and read names, dates, and initials. . . . Storied urn and monumental bust do not bring back the past as do the books which belong to it. Storied urns are in churches and stone niches, far removed from the lives of
