Charles Lever's "Knight of Gwynne." 1847.
"The Fortunes of Colonel Torlogh O'Brien: a Tale of the Wars of King James." Dublin, 1847.
"John Smith's Irish Diamonds; or, a Theory of Irish Wit and Blunders." 1847.
W. Harrison Ainsworth's "Old St. Paul's," two plates. 1847.
Charles Dickens's "Dombey and Son." 1846-48.
Twelve full-length portraits illustrating "Dombey and Son," designed and etched by "Phiz." (Sometimes bound up with the book.) 1848.
Albert Smith's "The Pottleton Legacy." 1849. (Another edition in 1854.)
Charles Dickens's "David Copperfield," forty plates. 1849-50.
Charles Lever's "Roland Cashel." 1849-50.
John Smith's "Sketches of Cantabs," two plates. 1850.
Defoe's "Robinson Crusoe," full-page cuts. 1850.
"The Illustrated Byron," two hundred woodcuts after Kenny Meadows, Birket Foster, Phiz, and Janet. Circa 1850.
"Ghost Stories and Tales of Mystery," etchings. Dublin, 1851.
"The Daltons." (Charles Lever.) 1850-52.
Francis Edward Smedley's "Lewis Arundel." 1852.
Charles Dickens's "Bleak House," thirty-nine plates. 1852-53.
Horace Mayhew's "Letters Left at the Pastrycook's: being the Correspondence of Kitty Clover," cuts. 1853.
W. Harrison Ainsworth's "Crichton."
"Christmas Day, and How it was Spent by four Persons in the House of Fograss, Fograss, Mowton, and Snorton, Bankers," by C. Le Ros. Woodcuts. 1854.
Charles Lever's "Dodd Family Abroad." 1854.
Francis E. Smedley's "Harry Coverdale's Courtship." 1854.
Charles Lever's "Martins of Cro' Martin." 1856.
"Home Pictures," seven excellent plates. Darton & Co. 1856.
Charles Dickens's "Little Dorrit." 1855-57.
W. Harrison Ainsworth's "Spendthrift," 1857; "Mervyn Clitheroe, 1857-58.
Charles Lever's "Davenport Dunn." 1859.
Mrs. Stowe's "The Minister's Wooing." 1859.
