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PREFACE.
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T is somewhat strange to conceive, in an age so addicted ta the Muses, how Pastoral Poetry comes to be be never so much as thought upon; considering, especially, that it is of the greatest antiquity, and hath ever been accounted the foremost, amongst the smaller poems, in dignity. Virgil and Spenser made use of it as a prelude to Epic Poetry: but, I fear, the innocency of the subject makes it so little inviting.
There is no kind of Poem, if happily executed, but gives delight; and herein may the Pastoral boast after a peculiar manner: for, as in Painting, so in Poetry, the Country affords not only the most delightful scenes and prospects, but likewise the most pleasing images of life.
Gassendus (I remember) observes that Peireskius was a great lover of musick, especially the melody of birds: because their simple strains have less of passion and violence, but more of a sedate and quiet harmony, and therefore, do they rather befriend contemplation. In like manner, the Pastoral Song gives a sweet and gentle composure to the mind; whereas the Epic and Tragic Poems, by the vehemency of their emotions, raise the spirits into a ferment.
