cation. The hastiness of his productions might be the effect of necessity; but his subsequent neglect could hardly have any other cause than impatience of study.
What can be said of his versification will be little more than a dilatation of the praise given it by Pope.
Waller was smooth; but Dryden taught to join
The varying verse, the full-resounding line,
The long majestic march, and energy divine.
Some improvements had been already made in English numbers; but the full force of our language was not yet felt; the verse that was smooth was commonly feeble. If Cowley had sometimes a finish'd line, he had it by chance. Dryden knew how to chuse the flowing and the sonorous words; to vary the pauses, and adjust the accents; to diversify the cadence, and yet preserve the smoothness of his metre.
Of Triplets and Alexandrines, though he did not introduce the use, he established it. The triplet has long subsisted among us. Dryden seems not to have traced it higher than to Chapman's Homer; but it is to be
