sure, was occasioned by the pedantry of those two monarchs, Elizabeth and James, both great Latinists. For it is not to be wondered at, if both the court and schools, equal flatterers of power, should adapt themselves to the royal taste.
But now I am touching on the question (which has been so frequently agitated, yet so entirely undecided) of his learning and acquaintance with the languages; an additional word or two naturally falls in here upon the genius of our author, as compared with that of Jonson his contemporary. They are confessedly the greatest writers our nation could ever boast of in the drama. The first, we say, owed all to his prodigious natural genius; and the other a great deal to his art and learning. This, if attended to, will explain a very remarkable appearance in their writings. Besides those wonderful master-pieces of art and genius, which each has given us; they are the authors of other works very unworthy of them: but with this difference; that in Jonson's bad pieces we do not discover one single trace of the author of The Fox and Alchymist: but in the wild extravagant notes of Shakespeare you every now and then encounter strains that recognize the divine composer. This difference may be thus accounted for. Jonson, as we said besore, owing all his excellence to his art, by which he sometimes strained himself to an uncommon pitch, when at other times he unbent and played with his subject, having nothing then to support him, it is no wonder that he wrote so far beneath himself. But Shakespeare, indebted more largely to nature, than the other to acquired talents, in his most negligent hours could never so totally divest himself of his genius, but that it would frequently break out with astonishing force and splendor.
As I have never proposed to dilate farther on the character of my author, than was necessary to explain the nature and use of this edition, I shall proceed to consider him as a genius in possession of an everlasting name. And how great that merit must be, which could gain it against all the disadvantages of the horrid condition in which he has hitherto appeared! Had Homer, or any other admired author, first started into publick so maimed and deformed, we cannot determine whether they had not sunk for ever under the ignominy of such an ill appearance. The mangled condition of Shakespeare has been acknowledged by Mr. Rowe, who published him indeed, but neither corrected his text, nor collated the old copies. This gentleman had abilities, and
