would seem to be the right name for human language as some of the processes of the several recent centuries have left it.
The French comedy, then, is fairly stuffed with things for an Englishman. They are not all, it is true, so finely comic as "Il s'est trompé de défunte." In the report of that dull, incomparable sentence there is enough humour, and subtle enough, for both the maker and the reader; for the author who perceives the comedy as well as custom will permit, and for the reader who takes it with the freshness of a stranger. But if not so keen as this, the current word of French comedy is of the same quality of language. When of the fourteen couples to be married by the mayor, for instance, the deaf clerk has shuffled two, a looker-on pronounces: "Il s'est empêtré dans les futurs." But for a reader who has a full sense of the several languages that exist in English at the service of the several ways of human life, there is, from the mere terminology of official France, high or low—daily France—a gratuitous and uncovenanted smile to be had. With this the wit of the report of French literature has not little to do. Nor is it in itself, perhaps, reasonably comic, but the slightest irony of
