Witness that simple and beautiful poem entitled The Divine Image, or that On Another's Sorrow. The Songs of Innocence are in truth animated by a uniform sentiment of deep piety, of reverent feeling, and may be said, in their pervading influence, to be one devout aspiration throughout. The Songs of Experience consist rather of earnest, impassioned arguments; in this differing from the simple affirmations of the earlier Songs of Innocence,—arguments on the loftiest themes of existence.
After the Songs of Experience, Blake never again sang to like angelic tunes; nor even with the same approach to technical accuracy. His poetry was the blossom of youth, and early manhood. Neither in design did he improve on the tender grace of some of these illustrations; irregularities became as conspicuous in it, as in his verse; though in age he attained to nobler heights of sublimity, as the Inventions to Job will exemplify.
Let us again take a glance at what was going on contemporaneously in English literature during the years 1789-94. In novels, these were the days of activity of the famous Minerva Press, with Perdita Robinson and melancholy Charlotte Smith as leaders. Truer coin was circulated by Godwin (St. Leon appeared in 1799), by Zeluco Moore, by Mrs. Radcliffe (Mysteries of Udolpho, in 1794), by Monk Lewis, the sisters Lee, Mrs. Inchbald, and Mrs. Opie. In verse, it was the hour of the sentimental Della Cruscans, Madame Piozzi, Mrs. Robinson again, 'Mr. Merry,' and others. On these poor butterflies, Gifford, in this very year, laid his coarse, heavy hand; himself as empty a versifier, if smarter. Glittering Darwin, whose Loves of the Plants delighted the reading world in 1789, smooth Hayley, Anna Seward, 'Swan of Lichfield,' were popular poets. In satire, Dr. Wolcott was punctually receiving from the booksellers his unconscionably long annuity of two hundred and fifty pounds, for copious Peter Pindarisms, fugitive odes, and epistles. In the region of enduring literature Cowper had closed his
