Author:Sarah Margaret Fuller
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Works
[edit]- Johann Peter Eckermann, Conversations with Goethe in the last years of his life (tr. 1839) (external scan)
- Summer on the Lakes (1844)
- Woman in the Nineteenth Century (1845)
- Papers on Literature and Art (1846)
- Love-letters of Margaret Fuller (1845-1846; published 1903) (external scan)
- Memoirs of Margaret Fuller Ossoli (1852; with Ralph Waldo Emerson, James Freeman Clarke, and William Henry Channing; Boston edition has 2 volumes, London edition 3) (project: v. 1, v. 2)
- Woman in the Nineteenth Century (1855, 2nd edition)
- At home and abroad; or, Things and thoughts in America and Europe (1856) (external scan)
- Life without and life within (1860) (external scan)
- Art, Literature, and the Drama (1860) (external scan)
- Correspondence of Fräulein Günderode and Bettine von Arnim (tr. 1861) (external scan)
- A New England childhood (1916) (external scan)
Poems
[edit]- "Flaxman"
- "Freedom and Truth"
- "Ganymede to His Eagle" (1843)
- "Sistrum"
- "Sub Rosa Crux"
- Three Sonnets (Instrumental Music, Beethoven, Mozart) (1846)
Essays
[edit]- "The Great Lawsuit", The Dial (July 1843)
- "A Short Essay on Critics," in The Female Prose Writers of America, (ed.) by John S. Hart, Philadelphia: E. H. Butler & Co. (1852)
Periodicals
[edit]- The Dial (editor 1840-2)
- The New York Tribune (literary critic 1844; assistant editor 1846-?)
Works about Fuller
[edit]- Sarah Margaret Fuller, by Edgar Allan Poe in August 1846 from the series The Literati of New York
- A Fable for Critics (1848) by James Russell Lowell
- In: The living authors of America. by Thomas Powell, 1850 (external scan)
- "S. Margaret Fuller," in The Female Prose Writers of America, (ed.) by John S. Hart, Philadelphia: E. H. Butler & Co. (1852)
- In: Memorable women, the story of their lives by Camilla Dufour Crosland, 1856 (external scan)
- In: Eminent women of the age by James Parton, 1868 (external scan)
- Margaret Fuller (Marchesa Ossoli) by Julia Ward Howe, 1883 (external scan)
- Margaret Fuller Ossoli by Thomas Wentworth Higginson, 1884
- In: Lives of girls who became famous by Sarah Knowles Bolton, 1841-1916. Published 1886 (external scan)
- Margaret and her friends; or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, by Caroline Wells Healey Dall, 1822-1912; Published 1895 (external scan)
- The influence of Goethe upon Margaret Fuller by Frederick Augustus Braun, 1909 (external scan)
- Margaret Fuller and Goethe, by Frederick Augustus Braun, 1910 (external scan)
- Margaret Fuller by Bingham, Jennie Maria, 1859- (short work) (external scan)
- "Ossoli, Margaret Fuller," in The American Cyclopædia (1879)
- "Ossoli, Sarah Margaret Fuller, Marchioness," in Encyclopædia Britannica, Ninth Edition (12) (1881)
- "Fuller, Timothy," in Appletons' Cyclopædia of American Biography, New York: D. Appleton and Co. (1892) This article, nominally about her father, is mostly about her.
- "Fuller, Sarah Margaret," in The New International Encyclopædia, New York: Dodd, Mead and Co. (1906)
- "Fuller, Margaret," in The Nuttall Encyclopædia, (ed.) by James Wood, London: Frederick Warne and Co., Ltd. (1907)
- "Fuller, Sarah Margaret," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Fuller, Margaret," in Encyclopædia Britannica (11th ed., 1911)
- "Fuller, Sarah Margaret," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
- “Margaret Fuller” by Harold Clarke Goddard in The Cambridge History of American Literature, Book II, Chapter VIII, Section 12 (1917-1921)
- "Fuller, Sarah Margaret," in The Encyclopedia Americana, New York: The Encyclopedia Americana Corporation (1920)
- "Ossoli, Marchioness d', Sarah Margaret Fuller," in Collier's New Encyclopedia, New York: P. F. Collier & Son Co. (1921)
- “Fuller, Sarah Margaret, Marchioness of Ossoli” by Joseph McCabe in A Biographical Dictionary of Ancient, Medieval, and Modern Freethinkers, 1945.
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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