self his idiosyncrasies, hobbies, all that is simply his own; all that is not identical with the common human nature; all that men in large bodies cannot sympathize with, understand, and appreciate. Under these conditions direct self -revelation is exceptional. The poet usually expresses himself by so arranging his plot and developing his characters that they will illustrate the laws of life, as he sees these laws, without any direct statement,—though the Greek chorus is full of didactic sayings; and he may also express himself by such a powerful presentation of the morality intrinsic in beautiful things and noble actions as "to soothe the cares and lift the thoughts of men," without any dogmatic insistence in his own person. In these ways Æschylus obliterated himself from his work just as much as Shakespeare, and no more; Swift just as much as Aristophanes, and no more; but the statement that Shakespeare or Swift obliterated themselves from their works needs only to be made to be laughed at. The faith of Æschylus, the wisdom of Sophocles, are in all their dramas; Anacreon is in all his songs, Horace in all his odes. The lasting significance of their productions to mankind is derived from the
