Page:The way of all flesh (IA wayofallflesh01butl).pdf/216

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.

The Way of All Flesh

"I shall not attempt within the limits at my disposal to make a resumé of the rise and progress of the Greek drama, but will confine myself to considering whether the reputation enjoyed by the three chief Greek tragedians, Æschylus, Sophocles and Euripides, is one that will be permanent, or whether they will one day be held to have been overrated.

"Why, I ask myself, do I see much that I can easily admire in Homer, Thucydides, Herodotus, Demosthenes, Aristophanes, Theocritus, parts of Lucretius, Horace's satires and epistles, to say nothing of other ancient writers, and yet find myself at once repelled by even those works of Æschylus, Sophocles and Euripides which are most generally admired.

"With the first-named writers I am in the hands of men who feel, if not as I do, still as I can understand their feeling, and as I am interested to see that they should have felt; with the second I have so little sympathy that I cannot understand how anyone can ever have taken any interest in them whatever. Their highest flights to me are dull, pompous and artificial productions, which, if they were to appear now for the first time, would, I should think, either fall dead or be severely handled by the critics. I wish to know whether it is I who am in fault in this matter, or whether part of the blame may not rest with the tragedians themselves.

"How far I wonder did the Athenians genuinely like these poets, and how far was the applause which was lavished upon them due to fashion or affectation? How far, in fact, did admiration for the orthodox tragedians take that place among the Athenians which going to church does among ourselves?

"This is a venturesome question considering the verdict now generally given for over two thousand years, nor should I have permitted myself to ask it if it had not been suggested to me by one whose reputation stands as high, and has been sanctioned for as long time as those of the tragedians themselves, I mean by Aristophanes.

"Numbers, weight of authority, and time, have conspired to place Aristophanes on as high a literary pinnacle as any

206