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Selections are ordered as they are in the anthology (viz., in chronological order by date of birth). Selections past the end of the list are omitted currently as they are unlikely to be in the public domain.
Publication details[edit]
| Full title | The Norton Anthology of Theory and Criticism |
| Publisher | W. W. Norton & Company |
| Edition | 1 |
| Copyright year | 2001 |
| ISBN | 0-393-97429-4 |
| General editor | Vincent B. Leitch |
Selections[edit]
| Author | Selection | Status[1] | Links |
|---|---|---|---|
| Gorgias of Leontini | Encomium of Helen | ||
| Plato | Ion | Not begun | |
| Republic | Proofread | ||
| Phaedrus | Not begun | ||
| Aristotle | Poetics | Proofread | |
| Rhetoric | Not begun | ||
| Horace | Ars Poetica | Proofread | |
| Longinus | On Sublimity | Proofread | |
| Quintilian | Institutio Oratoria | Not begun | |
| Plotinus | Fifth Ennead | Not begun | |
| Augustine of Hippo | On Christian Doctrine | Not begun | |
| The Trinity | Not begun | ||
| Macrobius | Commentary on the Dream of Scipio | Not begun | |
| Hugh of St. Victor | The Didascalicon | Not begun | |
| Moses Maimonides | The Guide of the Perplexed | Incomplete | |
| Geoffrey of Vinsauf | Poetria Nova | Not begun | |
| Thomas Aquinas | Summa Theologica | Not begun | |
| Dante Alighieri | Il Convivio | Not begun | |
| The Letter to Can Grande | Not begun | ||
| Giovanni Boccaccio | Genealogy of the Gentile Gods | Not begun |
|
| Christine de Pizan | The Book of the City of Ladies | Not begun | |
| Giambattista Giraldi | Discourse on the Composition of Romances | Not begun | |
| Joachim du Bellay | The Defence and Illustration of the French Language | Not begun | |
| Pierre de Ronsard | A Brief on the Art of French Poetry | Not begun | |
| Giacopo Mazzoni | On the Defense of the Comedy of Dante | Not begun | |
| Sir Philip Sidney | An Apology for Poetry | Not begun | |
| Pierre Corneille | Of the Three Unities of Action, Time, and Place | ||
| John Dryden | An Essay of Dramatic Poesy | ||
| Troilus and Cressida | |||
| Sylvae | |||
| Aphra Behn | The Dutch Lover | ||
| The Lucky Chance | |||
| Giambattista Vico | The New Science | ||
| Joseph Addison | The Spectator, No. 62 | ||
| The Spectator, No. 412 | |||
| Edward Young | Conjectures on Original Composition | ||
| Alexander Pope | An Essay on Criticism | ||
| Samuel Johnson | The Rambler, No. 4 | ||
| The History of Rasselas, Prince of Abyssinia | |||
| Preface to Shakespeare | |||
| Lives of the English Poets | |||
| David Hume | Of the Standard of Taste | ||
| Immanuel Kant | Critique of Judgment | ||
| Edmund Burke | A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful | ||
| Gotthold Ephraim Lessing | Laocoön | ||
| Friedrich von Schiller | On the Aesthetic Education of Man | ||
| Mary Wollstonecraft | A Vindication of the Rights of Woman | ||
| Germaine Necker de Staël | Essay on Fictions | ||
| On Literature Considered in Its Relationship to Social Institutions | |||
| Friedrich Schleiermacher | Hermeneutics | ||
| Georg Wilhelm Friedrich Hegel | Phenomenology of Spirit | ||
| Lectures on Fine Art | |||
| William Wordsworth | Lyrical Ballads, with Pastoral and Other Poems | ||
| Samuel Taylor Coleridge | The Statesman's Manual | ||
| Biographia Literaria | |||
| Thomas Love Peacock | The Four Ages of Poetry | ||
| Percy Bysshe Shelley | A Defence of Poetry, or Remarks Suggested by an Essay Entitled "The Four Ages of Poetry" | ||
| Ralph Waldo Emerson | The American Scholar | ||
| The Poet | |||
| Edgar Allan Poe | The Philosophy of Composition | ||
| Théophile Gautier | Mademoiselle de Maupin | ||
| Karl Marx and Friedrich Engels | Economic and Philosophic Manuscripts of 1844 | ||
| The German Ideology | |||
| The Communist Manifesto | |||
| Grundrisse | |||
| A Contribution to the Critique of Political Economy | |||
| Capital | |||
| Letter from Friedrich Engels to Joseph Bloch | |||
| Charles Baudelaire | The Painter of Modern Life | ||
| Matthew Arnold | The Function of Criticism at the Present Time | ||
| Culture and Anarchy | |||
| Walter Pater | Studies in the History of the Renaissance | ||
| Stéphane Mallarmé | Crisis in Poetry | ||
| Henry James | The Art of Fiction | ||
| Friedrich Nietzsche | On Truth and Lying in a Non-Moral Sense | ||
| The Birth of Tragedy | |||
| Oscar Wilde | The Picture of Dorian Gray | ||
| The Critic as Artist | |||
| Sigmund Freud | The Interpretation of Dreams | ||
| The "Uncanny" | |||
| Fetishism | |||
| Ferdinand de Saussure | Course in General Linguistics | ||
| W.E.B. du Bois | Criteria of Negro Art | ||
| Carl Gustav Jung | On the Relation of Analytical Psychology to Poetry | ||
| Leon Trotsky | Literature and Revolution | ||
| Virginia Woolf | A Room of One's Own | ||
| György Lukács | Realism in the Balance | ||
| Boris Eichenbaum | The Theory of the "Formal Method" | ||
| T.S. Eliot | Tradition and the Individual Talent | ||
| The Metaphysical Poets | |||
| John Crowe Ransom | Criticism, Inc. | ||
| Martin Heidegger | Language | ||
| Antonio Gramsci | The Formation of the Intellectuals | ||
| Zora Neale Hurston | Characteristics of Negro Expression | ||
| What White Publishers Won't Print | |||
| Walter Benjamin | The Work of Art in the Age of Mechanical Reproduction | ||
| Mikhail M. Bakhtin | Discourse in the Novel | ||
| Max Horkheimer and Theodor W. Adorno | Dialectic of Enlightenment | ||
| Edmund Wilson | Marxism and Literature | ||
| Roman Jakobson | Linguistics and Poetics | ||
| Two Aspects of Language and Two Types of Aphasic Disturbances | |||
| Kenneth Burke | Kinds of Criticism | ||
| Jacques Lacan | The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience | ||
| The Agency of the Letter in the Unconscious | |||
| The Signification of the Phallus | |||
| Langston Hughes | The Negro Artist and the Racial Mountain | ||
| Georges Poulet | Phenomenology of Reading | ||
| Jean-Paul Sartre | What Is Literature? | ||
| Cleanth Brooks | The Well Wrought Urn | ||
| The Formalist Critics | |||
| William K. Wimsatt Jr. and Monroe C. Beardsley | The Intentional Fallacy | ||
| The Affective Fallacy | |||
| Simone de Beauvoir | The Second Sex | ||
| Claude Lévi-Strauss | Tristes Tropiques | ||
| J.L. Austin | Performative Utterances | ||
| Northrop Frye | The Archetypes of Literature | ||
| Roland Barthes | Mythologies | ||
| The Death of the Author | |||
| From Work to Text | |||
| Louis Althusser | A Letter on Art in Reply to André Daspre | ||
| Ideology and Ideological State Apparatuses | |||
| Paul de Man | Semiology and Rhetoric | ||
| The Return to Philology | |||
| Irving Howe | History and the Novel | ||
| Hans Robert Jauss | Literary History as a Challenge to Literary Theory | ||
| Raymond Williams | Marxism and Literature | ||
| Frantz Fanon | The Wretched of the Earth | ||
| Gilles Deleuze and Félix Guattari | Kafka: Toward a Minor Literature | ||
| A Thousand Plateaus: Capitalism and Schizophrenia | |||
| Jean-François Lyotard | Defining the Postmodern | ||
| Michel Foucault | What Is an Author? | ||
| Discipline and Punish: The Birth of the Prison | |||
| The History of Sexuality, Volume 1, An Introduction | |||
| Truth and Power |
Notes[edit]
- ↑ This is specifically referring to the progress on scan-backing. Many works are present on Wikisource but not backed by scans; for the the purposes of this table they will be marked "Not begun".