Virginibus Puerisque and Other Papers/Virginibus Puerisque
WITH the single exception of Falstaff, all Shakespeare's characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand's French version of AS YOU LIKE IT (and I think I can promise you will like it but little), you will find Jacques marries Celia just as Orlando marries Rosalind.
At least there seems to have been much less hesitation over marriage in Shakespeare's days; and what hesitation there was was of a laughing sort, and not much more serious, one way or the other, than that of Panurge. In modern comedies the heroes are mostly of Benedick's way of thinking, but twice as much in earnest, and not one quarter so confident. And I take this diffidence as a proof of how sincere their terror is. They know they are only human after all; they know what gins and pitfalls lie about their feet; and how the shadow of matrimony waits, resolute and awful, at the cross-roads. They would wish to keep their liberty; but if that may not be, why, God's will be done! "What, are you afraid of marriage?" asks Cecile, in MAITRE GUERIN. "Oh, mon Dieu, non!" replies Arthur; "I should take chloroform." They look forward to marriage much in the same way as they prepare themselves for death: each seems inevitable; each is a great Perhaps, and a leap into the dark, for which, when a man is in the blue devils, he has specially to harden his heart. That splendid scoundrel, Maxime de Trailles, took the news of marriages much as an old man hears the deaths of his contemporaries. "C'est desesperant," he cried, throwing himself down in the arm-chair at Madame Schontz's; "c'est desesperant, nous nous marions tous!" Every marriage was like another gray hair on his head; and the jolly church bells seemed to taunt him with his fifty years and fair round belly.
The fact is, we are much more afraid of life than our ancestors, and cannot find it in our hearts either to marry or not to marry. Marriage is terrifying, but so is a cold and forlorn old age. The friendships of men are vastly agreeable, but they are insecure. You know all the time that one friend will marry and put you to the door; a second accept a situation in China, and become no more to you than a name, a reminiscence, and an occasional crossed letter, very laborious to read; a third will take up with some religious crotchet and treat you to sour looks thence-forward. So, in one way or another, life forces men apart and breaks up the goodly fellowships for ever. The very flexibility and ease which make men's friendships so agreeable while they endure, make them the easier to destroy and forget. And a man who has a few friends, or one who has a dozen (if there be any one so wealthy on this earth), cannot forget on how precarious a base his happiness reposes; and how by a stroke or two of fate - a death, a few light words, a piece of stamped paper, a woman's bright eyes - he may be left, in a month, destitute of all. Marriage is certainly a perilous remedy. Instead of on two or three, you stake your happiness on one life only. But still, as the bargain is more explicit and complete on your part, it is more so on the other; and you have not to fear so many contingencies; it is not every wind that can blow you from your anchorage; and so long as Death withholds his sickle, you will always have a friend at home. People who share a cell in the Bastile, or are thrown together on an uninhabited isle, if they do not immediately fall to fisticuffs, will find some possible ground of compromise. They will learn each other's ways and humours, so as to know where they must go warily, and where they may lean their whole weight. The discretion of the first years becomes the settled habit of the last; and so, with wisdom and patience, two lives may grow indissolubly into one.
But marriage, if comfortable, is not at all heroic. It certainly narrows and damps the spirits of generous men. In marriage, a man becomes slack and selfish, and undergoes a fatty degeneration of his moral being. It is not only when Lydgate misallies himself with Rosamond Vincy, but when Ladislaw marries above him with Dorothea, that this may be exemplified. The air of the fireside withers out all the fine wildings of the husband's heart. He is so comfortable and happy that he begins to prefer comfort and happiness to everything else on earth, his wife included. Yesterday he would have shared his last shilling; to-day "his first duty is to his family," and is fulfilled in large measure by laying down vintages and husbanding the health of an invaluable parent. Twenty years ago this man was equally capable of crime or heroism; now he is fit for neither. His soul is asleep, and you may speak without constraint; you will not wake him. It is not for nothing that Don Quixote was a bachelor and Marcus Aurelius married ill. For women, there is less of this danger. Marriage is of so much use to a woman, opens out to her so much more of life, and puts her in the way of so much more freedom and usefulness, that, whether she marry ill or well, she can hardly miss some benefit. It is true, however, that some of the merriest and most genuine of women are old maids; and that those old maids, and wives who are unhappily married, have often most of the true motherly touch. And this would seem to show, even for women, some narrowing influence in comfortable married life. But the rule is none the less certain: if you wish the pick of men and women, take a good bachelor and a good wife.
I am often filled with wonder that so many marriages are passably successful, and so few come to open failure, the more so as I fail to understand the principle on which people regulate their choice. I see women marrying indiscriminately with staring burgesses and ferret-faced, white-eyed boys, and men dwell in contentment with noisy scullions, or taking into their lives acidulous vestals. It is a common answer to say the good people marry because they fall in love; and of course you may use and misuse a word as much as you please, if you have the world along with you. But love is at least a somewhat hyperbolical expression for such luke-warm preference. It is not here, anyway, that Love employs his golden shafts; he cannot be said, with any fitness of language, to reign here and revel. Indeed, if this be love at all, it is plain the poets have been fooling with mankind since the foundation of the world. And you have only to look these happy couples in the face, to see they have never been in love, or in hate, or in any other high passion, all their days. When you see a dish of fruit at dessert, you sometimes set your affections upon one particular peach or nectarine, watch it with some anxiety as it comes round the table, and feel quite a sensible disappointment when it is taken by some one else. I have used the phrase "high passion." Well, I should say this was about as high a passion as generally leads to marriage. One husband hears after marriage that some poor fellow is dying of his wife's love. "What a pity!" he exclaims; "you know I could so easily have got another!" And yet that is a very happy union. Or again: A young man was telling me the sweet story of his loves. "I like it well enough as long as her sisters are there," said this amorous swain; "but I don't know what to do when we're alone." Once more: A married lady was debating the subject with another lady. "You know, dear," said the first, "after ten years of marriage, if he is nothing else, your husband is always an old friend." "I have many old friends," returned the other, "but I prefer them to be nothing more." "Oh, perhaps I might PREFER that also!" There is a common note in these three illustrations of the modern idyll; and it must be owned the god goes among us with a limping gait and blear eyes. You wonder whether it was so always; whether desire was always equally dull and spiritless, and possession equally cold. I cannot help fancying most people make, ere they marry, some such table of recommendations as Hannah Godwin wrote to her brother William anent her friend, Miss Gay. It is so charmingly comical, and so pat to the occasion, that I must quote a few phrases. "The young lady is in every sense formed to make one of your disposition really happy. She has a pleasing voice, with which she accompanies her musical instrument with judgment. She has an easy politeness in her manners, neither free nor reserved. She is a good housekeeper and a good economist, and yet of a generous disposition. As to her internal accomplishments, I have reason to speak still more highly of them: good sense without vanity, a penetrating judgment without a disposition to satire, with about as much religion as my William likes, struck me with a wish that she was my William's wife." That is about the tune: pleasing voice, moderate good looks, unimpeachable internal accomplishments after the style of the copy-book, with about as much religion as my William likes; and then, with all speed, to church.
To deal plainly, if they only married when they fell in love, most people would die unwed; and among the others, there would be not a few tumultuous households. The Lion is the King of Beasts, but he is scarcely suitable for a domestic pet. In the same way, I suspect love is rather too violent a passion to make, in all cases, a good domestic sentiment. Like other violent excitements, it throws up not only what is best, but what is worst and smallest, in men's characters. Just as some people are malicious in drink, or brawling and virulent under the influence of religious feeling, some are moody, jealous, and exacting when they are in love, who are honest, downright, good-hearted fellows enough in the everyday affairs and humours of the world.
How then, seeing we are driven to the hypothesis that people choose in comparatively cold blood, how is it they choose so well? One is almost tempted to hint that it does not much matter whom you marry; that, in fact, marriage is a subjective affection, and if you have made up your mind to it, and once talked yourself fairly over, you could "pull it through" with anybody. But even if we take matrimony at its lowest, even if we regard it as no more than a sort of friendship recognised by the police, there must be degrees in the freedom and sympathy realised, and some principle to guide simple folk in their selection. Now what should this principle be? Are there no more definite rules than are to be found in the Prayer-book? Law and religion forbid the bans on the ground of propinquity or consanguinity; society steps in to separate classes; and in all this most critical matter, has common sense, has wisdom, never a word to say? In the absence of more magisterial teaching, let us talk it over between friends: even a few guesses may be of interest to youths and maidens.
In all that concerns eating and drinking, company, climate, and ways of life, community of taste is to be sought for. It would be trying, for instance, to keep bed and board with an early riser or a vegetarian. In matters of art and intellect, I believe it is of no consequence. Certainly it is of none in the companionships of men, who will dine more readily with one who has a good heart, a good cellar, and a humorous tongue, than with another who shares all their favourite hobbies and is melancholy withal. If your wife likes Tupper, that is no reason why you should hang your head. She thinks with the majority, and has the courage of her opinions. I have always suspected public taste to be a mongrel product, out of affectation by dogmatism; and felt sure, if you could only find an honest man of no special literary bent, he would tell you he thought much of Shakespeare bombastic and most absurd, and all of him written in very obscure English and wearisome to read. And not long ago I was able to lay by my lantern in content, for I found the honest man. He was a fellow of parts, quick, humorous, a clever painter, and with an eye for certain poetical effects of sea and ships. I am not much of a judge of that kind of thing, but a sketch of his comes before me sometimes at night. How strong, supple, and living the ship seems upon the billows! With what a dip and rake she shears the flying sea! I cannot fancy the man who saw this effect, and took it on the wing with so much force and spirit, was what you call commonplace in the last recesses of the heart. And yet he thought, and was not ashamed to have it known of him, that Ouida was better in every way than William Shakespeare. If there were more people of his honesty, this would be about the staple of lay criticism. It is not taste that is plentiful, but courage that is rare. And what have we in place? How many, who think no otherwise than the young painter, have we not heard disbursing second-hand hyperboles? Have you never turned sick at heart, O best of critics! when some of your own sweet adjectives were returned on you before a gaping audience? Enthusiasm about art is become a function of the average female being, which she performs with precision and a sort of haunting sprightliness, like an ingenious and well- regulated machine. Sometimes, alas! the calmest man is carried away in the torrent, bandies adjectives with the best, and out-Herods Herod for some shameful moments. When you remember that, you will be tempted to put things strongly, and say you will marry no one who is not like George the Second, and cannot state openly a distaste for poetry and painting.
The word "facts" is, in some ways, crucial. I have spoken with Jesuits and Plymouth Brethren, mathematicians and poets, dogmatic republicans and dear old gentlemen in bird's- eye neckcloths; and each understood the word "facts" in an occult sense of his own. Try as I might, I could get no nearer the principle of their division. What was essential to them, seemed to me trivial or untrue. We could come to no compromise as to what was, or what was not, important in the life of man. Turn as we pleased, we all stood back to back in a big ring, and saw another quarter of the heavens, with different mountain-tops along the sky-line and different constellations overhead. We had each of us some whimsy in the brain, which we believed more than anything else, and which discoloured all experience to its own shade. How would you have people agree, when one is deaf and the other blind? Now this is where there should be community between man and wife. They should be agreed on their catchword in "FACTS OF RELIGION," or "FACTS OF SCIENCE," or "SOCIETY, MY DEAR"; for without such an agreement all intercourse is a painful strain upon the mind. "About as much religion as my William likes," in short, that is what is necessary to make a happy couple of any William and his spouse. For there are differences which no habit nor affection can reconcile, and the Bohemian must not intermarry with the Pharisee. Imagine Consuelo as Mrs. Samuel Budget, the wife of the successful merchant! The best of men and the best of women may sometimes live together all their lives, and, for want of some consent on fundamental questions, hold each other lost spirits to the end.
A certain sort of talent is almost indispensable for people who would spend years together and not bore themselves to death. But the talent, like the agreement, must be for and about life. To dwell happily together, they should be versed in the niceties of the heart, and born with a faculty for willing compromise. The woman must be talented as a woman, and it will not much matter although she is talented in nothing else. She must know her METIER DE FEMME, and have a fine touch for the affections. And it is more important that a person should be a good gossip, and talk pleasantly and smartly of common friends and the thousand and one nothings of the day and hour, than that she should speak with the tongues of men and angels; for a while together by the fire, happens more frequently in marriage than the presence of a distinguished foreigner to dinner. That people should laugh over the same sort of jests, and have many a story of "grouse in the gun-room," many an old joke between them which time cannot wither nor custom stale, is a better preparation for life, by your leave, than many other things higher and better sounding in the world's ears. You could read Kant by yourself, if you wanted; but you must share a joke with some one else. You can forgive people who do not follow you through a philosophical disquisition; but to find your wife laughing when you had tears in your eyes, or staring when you were in a fit of laughter, would go some way towards a dissolution of the marriage.
I know a woman who, from some distaste or disability, could never so much as understand the meaning of the word POLITICS, and has given up trying to distinguish Whigs from Tories; but take her on her own politics, ask her about other men or women and the chicanery of everyday existence - the rubs, the tricks, the vanities on which life turns - and you will not find many more shrewd, trenchant, and humorous. Nay, to make plainer what I have in mind, this same woman has a share of the higher and more poetical understanding, frank interest in things for their own sake, and enduring astonishment at the most common. She is not to be deceived by custom, or made to think a mystery solved when it is repeated. I have heard her say she could wonder herself crazy over the human eyebrow. Now in a world where most of us walk very contentedly in the little lit circle of their own reason, and have to be reminded of what lies without by specious and clamant exceptions - earthquakes, eruptions of Vesuvius, banjos floating in mid-air at a SEANCE, and the like - a mind so fresh and unsophisticated is no despicable gift. I will own I think it a better sort of mind than goes necessarily with the clearest views on public business. It will wash. It will find something to say at an odd moment. It has in it the spring of pleasant and quaint fancies. Whereas I can imagine myself yawning all night long until my jaws ached and the tears came into my eyes, although my companion on the other side of the hearth held the most enlightened opinions on the franchise or the ballot.
The question of professions, in as far as they regard marriage, was only interesting to women until of late days, but it touches all of us now. Certainly, if I could help it, I would never marry a wife who wrote. The practice of letters is miserably harassing to the mind; and after an hour or two's work, all the more human portion of the author is extinct; he will bully, backbite, and speak daggers. Music, I hear, is not much better. But painting, on the contrary, is often highly sedative; because so much of the labour, after your picture is once begun, is almost entirely manual, and of that skilled sort of manual labour which offers a continual series of successes, and so tickles a man, through his vanity, into good humour. Alas! in letters there is nothing of this sort. You may write as beautiful a hand as you will, you have always something else to think of, and cannot pause to notice your loops and flourishes; they are beside the mark, and the first law stationer could put you to the blush. Rousseau, indeed, made some account of penmanship, even made it a source of livelihood, when he copied out the HELOISE for DILETTANTE ladies; and therein showed that strange eccentric prudence which guided him among so many thousand follies and insanities. It would be well for all of the GENUS IRRITABILE thus to add something of skilled labour to intangible brain- work. To find the right word is so doubtful a success and lies so near to failure, that there is no satisfaction in a year of it; but we all know when we have formed a letter perfectly; and a stupid artist, right or wrong, is almost equally certain he has found a right tone or a right colour, or made a dexterous stroke with his brush. And, again, painters may work out of doors; and the fresh air, the deliberate seasons, and the "tranquillising influence" of the green earth, counterbalance the fever of thought, and keep them cool, placable, and prosaic.
A ship captain is a good man to marry if it is a marriage of love, for absences are a good influence in love and keep it bright and delicate; but he is just the worst man if the feeling is more pedestrian, as habit is too frequently torn open and the solder has never time to set. Men who fish, botanise, work with the turning-lathe, or gather sea-weeds, will make admirable husbands and a little amateur painting in water-colour shows the innocent and quiet mind. Those who have a few intimates are to be avoided; while those who swim loose, who have their hat in their hand all along the street, who can number an infinity of acquaintances and are not chargeable with any one friend, promise an easy disposition and no rival to the wife's influence. I will not say they are the best of men, but they are the stuff out of which adroit and capable women manufacture the best of husbands. It is to be noticed that those who have loved once or twice already are so much the better educated to a woman's hand; the bright boy of fiction is an odd and most uncomfortable mixture of shyness and coarseness, and needs a deal of civilising. Lastly (and this is, perhaps, the golden rule), no woman should marry a teetotaller, or a man who does not smoke. It is not for nothing that this "ignoble tabagie," as Michelet calls it, spreads over all the world. Michelet rails against it because it renders you happy apart from thought or work; to provident women this will seem no evil influence in married life. Whatever keeps a man in the front garden, whatever checks wandering fancy and all inordinate ambition, whatever makes for lounging and contentment, makes just so surely for domestic happiness.
These notes, if they amuse the reader at all, will probably amuse him more when he differs than when he agrees with them; at least they will do no harm, for nobody will follow my advice. But the last word is of more concern. Marriage is a step so grave and decisive that it attracts light-headed, variable men by its very awfulness. They have been so tried among the inconstant squalls and currents, so often sailed for islands in the air or lain becalmed with burning heart, that they will risk all for solid ground below their feet. Desperate pilots, they run their sea-sick, weary bark upon the dashing rocks. It seems as if marriage were the royal road through life, and realised, on the instant, what we have all dreamed on summer Sundays when the bells ring, or at night when we cannot sleep for the desire of living. They think it will sober and change them. Like those who join a brotherhood, they fancy it needs but an act to be out of the coil and clamour for ever. But this is a wile of the devil's. To the end, spring winds will sow disquietude, passing faces leave a regret behind them, and the whole world keep calling and calling in their ears. For marriage is like life in this - that it is a field of battle, and not a bed of roses.
HOPE, they say, deserts us at no period of our existence. From first to last, and in the face of smarting disillusions, we continue to expect good fortune, better health, and better conduct; and that so confidently, that we judge it needless to deserve them. I think it improbable that I shall ever write like Shakespeare, conduct an army like Hannibal, or distinguish myself like Marcus Aurelius in the paths of virtue; and yet I have my by-days, hope prompting, when I am very ready to believe that I shall combine all these various excellences in my own person, and go marching down to posterity with divine honours. There is nothing so monstrous but we can believe it of ourselves. About ourselves, about our aspirations and delinquencies, we have dwelt by choice in a delicious vagueness from our boyhood up. No one will have forgotten Tom Sawyer's aspiration: "Ah, if he could only die TEMPORARILY!" Or, perhaps, better still, the inward resolution of the two pirates, that "so long as they remained in that business, their piracies should not again be sullied with the crime of stealing." Here we recognise the thoughts of our boyhood; and our boyhood ceased - well, when? - not, I think, at twenty; nor, perhaps, altogether at twenty-five; nor yet at thirty; and possibly, to be quite frank, we are still in the thick of that arcadian period. For as the race of man, after centuries of civilisation, still keeps some traits of their barbarian fathers, so man the individual is not altogether quit of youth, when he is already old and honoured, and Lord Chancellor of England. We advance in years somewhat in the manner of an invading army in a barren land; the age that we have reached, as the phrase goes, we but hold with an outpost, and still keep open our communications with the extreme rear and first beginnings of the march. There is our true base; that is not only the beginning, but the perennial spring of our faculties; and grandfather William can retire upon occasion into the green enchanted forest of his boyhood.
The unfading boyishness of hope and its vigorous irrationality are nowhere better displayed than in questions of conduct. There is a character in the PILGRIM'S PROGRESS, one Mr. LINGER-AFTER-LUST with whom I fancy we are all on speaking terms; one famous among the famous for ingenuity of hope up to and beyond the moment of defeat; one who, after eighty years of contrary experience, will believe it possible to continue in the business of piracy and yet avoid the guilt of theft. Every sin is our last; every 1st of January a remarkable turning-point in our career. Any overt act, above all, is felt to be alchemic in its power to change. A drunkard takes the pledge; it will be strange if that does not help him. For how many years did Mr. Pepys continue to make and break his little vows? And yet I have not heard that he was discouraged in the end. By such steps we think to fix a momentary resolution; as a timid fellow hies him to the dentist's while the tooth is stinging.
But, alas, by planting a stake at the top of flood, you can neither prevent nor delay the inevitable ebb. There is no hocus-pocus in morality; and even the "sanctimonious ceremony" of marriage leaves the man unchanged. This is a hard saying, and has an air of paradox. For there is something in marriage so natural and inviting, that the step has an air of great simplicity and ease; it offers to bury for ever many aching preoccupations; it is to afford us unfailing and familiar company through life; it opens up a smiling prospect of the blest and passive kind of love, rather than the blessing and active; it is approached not only through the delights of courtship, but by a public performance and repeated legal signatures. A man naturally thinks it will go hard with him if he cannot be good and fortunate and happy within such august circumvallations.
And yet there is probably no other act in a man's life so hot-headed and foolhardy as this one of marriage. For years, let us suppose, you have been making the most indifferent business of your career. Your experience has not, we may dare to say, been more encouraging than Paul's or Horace's; like them, you have seen and desired the good that you were not able to accomplish; like them, you have done the evil that you loathed. You have waked at night in a hot or a cold sweat, according to your habit of body, remembering with dismal surprise, your own unpardonable acts and sayings. You have been sometimes tempted to withdraw entirely from this game of life; as a man who makes nothing but misses withdraws from that less dangerous one of billiards. You have fallen back upon the thought that you yourself most sharply smarted for your misdemeanours, or, in the old, plaintive phrase, that you were nobody's enemy but your own. And then you have been made aware of what was beautiful and amiable, wise and kind, in the other part of your behaviour; and it seemed as if nothing could reconcile the contradiction, as indeed nothing can. If you are a man, you have shut your mouth hard and said nothing; and if you are only a man in the making, you have recognised that yours was quite a special case, and you yourself not guilty of your own pestiferous career.
Granted, and with all my heart. Let us accept these apologies; let us agree that you are nobody's enemy but your own; let us agree that you are a sort of moral cripple, impotent for good; and let us regard you with the unmingled pity due to such a fate. But there is one thing to which, on these terms, we can never agree: - we can never agree to have you marry. What! you have had one life to manage, and have failed so strangely, and now can see nothing wiser than to conjoin with it the management of some one else's? Because you have been unfaithful in a very little, you propose yourself to be a ruler over ten cities. You strip yourself by such a step of all remaining consolations and excuses. You are no longer content to be your own enemy; you must be your wife's also. You have been hitherto in a mere subaltern attitude; dealing cruel blows about you in life, yet only half responsible, since you came there by no choice or movement of your own. Now, it appears, you must take things on your own authority: God made you, but you marry yourself; and for all that your wife suffers, no one is responsible but you. A man must be very certain of his knowledge ere he undertake to guide a ticket-of-leave man through a dangerous pass; you have eternally missed your way in life, with consequences that you still deplore, and yet you masterfully seize your wife's hand, and, blindfold, drag her after you to ruin. And it is your wife, you observe, whom you select. She, whose happiness you most desire, you choose to be your victim. You would earnestly warn her from a tottering bridge or bad investment. If she were to marry some one else, how you would tremble for her fate! If she were only your sister, and you thought half as much of her, how doubtfully would you entrust her future to a man no better than yourself!
Times are changed with him who marries; there are no more by-path meadows, where you may innocently linger, but the road lies long and straight and dusty to the grave. Idleness, which is often becoming and even wise in the bachelor, begins to wear a different aspect when you have a wife to support. Suppose, after you are married, one of those little slips were to befall you. What happened last November might surely happen February next. They may have annoyed you at the time, because they were not what you had meant; but how will they annoy you in the future, and how will they shake the fabric of your wife's confidence and peace! A thousand things unpleasing went on in the CHIAROSCURO of a life that you shrank from too particularly realising; you did not care, in those days, to make a fetish of your conscience; you would recognise your failures with a nod, and so, good day. But the time for these reserves is over. You have wilfully introduced a witness into your life, the scene of these defeats, and can no longer close the mind's eye upon uncomely passages, but must stand up straight and put a name upon your actions. And your witness is not only the judge, but the victim of your sins; not only can she condemn you to the sharpest penalties, but she must herself share feelingly in their endurance. And observe, once more, with what temerity you have chosen precisely HER to be your spy, whose esteem you value highest, and whom you have already taught to think you better than you are. You may think you had a conscience, and believed in God; but what is a conscience to a wife? Wise men of yore erected statues of their deities, and consciously performed their part in life before those marble eyes. A god watched them at the board, and stood by their bedside in the morning when they woke; and all about their ancient cities, where they bought and sold, or where they piped and wrestled, there would stand some symbol of the things that are outside of man. These were lessons, delivered in the quiet dialect of art, which told their story faithfully, but gently. It is the same lesson, if you will - but how harrowingly taught! - when the woman you respect shall weep from your unkindness or blush with shame at your misconduct. Poor girls in Italy turn their painted Madonnas to the wall: you cannot set aside your wife. To marry is to domesticate the Recording Angel. Once you are married, there is nothing left for you, not even suicide, but to be good.
And goodness in marriage is a more intricate problem than mere single virtue; for in marriage there are two ideals to be realised. A girl, it is true, has always lived in a glass house among reproving relatives, whose word was law; she has been bred up to sacrifice her judgments and take the key submissively from dear papa; and it is wonderful how swiftly she can change her tune into the husband's. Her morality has been, too often, an affair of precept and conformity. But in the case of a bachelor who has enjoyed some measure both of privacy and freedom, his moral judgments have been passed in some accordance with his nature. His sins were always sins in his own sight; he could then only sin when he did some act against his clear conviction; the light that he walked by was obscure, but it was single. Now, when two people of any grit and spirit put their fortunes into one, there succeeds to this comparative certainty a huge welter of competing jurisdictions. It no longer matters so much how life appears to one; one must consult another: one, who may be strong, must not offend the other, who is weak. The only weak brother I am willing to consider is (to make a bull for once) my wife. For her, and for her only, I must waive my righteous judgments, and go crookedly about my life. How, then, in such an atmosphere of compromise, to keep honour bright and abstain from base capitulations? How are you to put aside love's pleadings? How are you, the apostle of laxity, to turn suddenly about into the rabbi of precision; and after these years of ragged practice, pose for a hero to the lackey who has found you out? In this temptation to mutual indulgence lies the particular peril to morality in married life. Daily they drop a little lower from the first ideal, and for a while continue to accept these changelings with a gross complacency. At last Love wakes and looks about him; finds his hero sunk into a stout old brute, intent on brandy pawnee; finds his heroine divested of her angel brightness; and in the flash of that first disenchantment, flees for ever.
Again, the husband, in these unions, is usually a man, and the wife commonly enough a woman; and when this is the case, although it makes the firmer marriage, a thick additional veil of misconception hangs above the doubtful business. Women, I believe, are somewhat rarer than men; but then, if I were a woman myself, I daresay I should hold the reverse; and at least we all enter more or less wholly into one or other of these camps. A man who delights women by his feminine perceptions will often scatter his admirers by a chance explosion of the under side of man; and the most masculine and direct of women will some day, to your dire surprise, draw out like a telescope into successive lengths of personation. Alas! for the man, knowing her to be at heart more candid than himself, who shall flounder, panting, through these mazes in the quest for truth. The proper qualities of each sex are, indeed, eternally surprising to the other. Between the Latin and the Teuton races there are similar divergences, not to be bridged by the most liberal sympathy. And in the good, plain, cut-and-dry explanations of this life, which pass current among us as the wisdom of the elders, this difficulty has been turned with the aid of pious lies. Thus, when a young lady has angelic features, eats nothing to speak of, plays all day long on the piano, and sings ravishingly in church, it requires a rough infidelity, falsely called cynicism, to believe that she may be a little devil after all. Yet so it is: she may be a tale-bearer, a liar, and a thief; she may have a taste for brandy, and no heart. My compliments to George Eliot for her Rosamond Vincy; the ugly work of satire she has transmuted to the ends of art, by the companion figure of Lydgate; and the satire was much wanted for the education of young men. That doctrine of the excellence of women, however chivalrous, is cowardly as well as false. It is better to face the fact, and know, when you marry, that you take into your life a creature of equal, if of unlike, frailties; whose weak human heart beats no more tunefully than yours.
But it is the object of a liberal education not only to obscure the knowledge of one sex by another, but to magnify the natural differences between the two. Man is a creature who lives not upon bread alone, but principally by catchwords; and the little rift between the sexes is astonishingly widened by simply teaching one set of catchwords to the girls and another to the boys. To the first, there is shown but a very small field of experience, and taught a very trenchant principle for judgment and action; to the other, the world of life is more largely displayed, and their rule of conduct is proportionally widened. They are taught to follow different virtues, to hate different vices, to place their ideal, even for each other, in different achievements. What should be the result of such a course? When a horse has run away, and the two flustered people in the gig have each possessed themselves of a rein, we know the end of that conveyance will be in the ditch. So, when I see a raw youth and a green girl, fluted and fiddled in a dancing measure into that most serious contract, and setting out upon life's journey with ideas so monstrously divergent, I am not surprised that some make shipwreck, but that any come to port. What the boy does almost proudly, as a manly peccadillo, the girl will shudder at as a debasing vice; what is to her the mere common sense of tactics, he will spit out of his mouth as shameful. Through such a sea of contrarieties must this green couple steer their way; and contrive to love each other; and to respect, forsooth; and be ready, when the time arrives, to educate the little men and women who shall succeed to their places and perplexities.
And yet, when all has been said, the man who should hold back from marriage is in the same case with him who runs away from battle. To avoid an occasion for our virtues is a worse degree of failure than to push forward pluckily and make a fall. It is lawful to pray God that we be not led into temptation; but not lawful to skulk from those that come to us. The noblest passage in one of the noblest books of this century, is where the old pope glories in the trial, nay, in the partial fall and but imperfect triumph, of the younger hero. (1) Without some such manly note, it were perhaps better to have no conscience at all. But there is a vast difference between teaching flight, and showing points of peril that a man may march the more warily. And the true conclusion of this paper is to turn our back on apprehensions, and embrace that shining and courageous virtue, Faith. Hope is the boy, a blind, headlong, pleasant fellow, good to chase swallows with the salt; Faith is the grave, experienced, yet smiling man. Hope lives on ignorance; open-eyed Faith is built upon a knowledge of our life, of the tyranny of circumstance and the frailty of human resolution. Hope looks for unqualified success; but Faith counts certainly on failure, and takes honourable defeat to be a form of victory. Hope is a kind old pagan; but Faith grew up in Christian days, and early learnt humility. In the one temper, a man is indignant that he cannot spring up in a clap to heights of elegance and virtue; in the other, out of a sense of his infirmities, he is filled with confidence because a year has come and gone, and he has still preserved some rags of honour. In the first, he expects an angel for a wife; in the last, he knows that she is like himself - erring, thoughtless, and untrue; but like himself also, filled with a struggling radiancy of better things, and adorned with ineffective qualities. You may safely go to school with hope; but ere you marry, should have learned the mingled lesson of the world: that dolls are stuffed with sawdust, and yet are excellent play-things; that hope and love address themselves to a perfection never realised, and yet, firmly held, become the salt and staff of life; that you yourself are compacted of infirmities, perfect, you might say, in imperfection, and yet you have a something in you lovable and worth preserving; and that, while the mass of mankind lies under this scurvy condemnation, you will scarce find one but, by some generous reading, will become to you a lesson, a model, and a noble spouse through life. So thinking, you will constantly support your own unworthiness, and easily forgive the failings of your friend. Nay, you will be wisely glad that you retain the sense of blemishes; for the faults of married people continually spur up each of them, hour by hour, to do better and to meet and love upon a higher ground. And ever, between the failures, there will come glimpses of kind virtues to encourage and console.
(1) Browning's RING AND BOOK.
III. - ON FALLING IN LOVE
"Lord, what fools these mortals be!"
THERE is only one event in life which really astonishes a man and startles him out of his prepared opinions. Everything else befalls him very much as he expected. Event succeeds to event, with an agreeable variety indeed, but with little that is either startling or intense; they form together no more than a sort of background, or running accompaniment to the man's own reflections; and he falls naturally into a cool, curious, and smiling habit of mind, and builds himself up in a conception of life which expects to-morrow to be after the pattern of to-day and yesterday. He may be accustomed to the vagaries of his friends and acquaintances under the influence of love. He may sometimes look forward to it for himself with an incomprehensible expectation. But it is a subject in which neither intuition nor the behaviour of others will help the philosopher to the truth. There is probably nothing rightly thought or rightly written on this matter of love that is not a piece of the person's experience. I remember an anecdote of a well-known French theorist, who was debating a point eagerly in his CENACLE. It was objected against him that he had never experienced love. Whereupon he arose, left the society, and made it a point not to return to it until he considered that he had supplied the defect. "Now," he remarked, on entering, "now I am in a position to continue the discussion." Perhaps he had not penetrated very deeply into the subject after all; but the story indicates right thinking, and may serve as an apologue to readers of this essay.
When at last the scales fall from his eyes, it is not without something of the nature of dismay that the man finds himself in such changed conditions. He has to deal with commanding emotions instead of the easy dislikes and preferences in which he has hitherto passed his days; and he recognises capabilities for pain and pleasure of which he had not yet suspected the existence. Falling in love is the one illogical adventure, the one thing of which we are tempted to think as supernatural, in our trite and reasonable world. The effect is out of all proportion with the cause. Two persons, neither of them, it may be, very amiable or very beautiful, meet, speak a little, and look a little into each other's eyes. That has been done a dozen or so of times in the experience of either with no great result. But on this occasion all is different. They fall at once into that state in which another person becomes to us the very gist and centrepoint of God's creation, and demolishes our laborious theories with a smile; in which our ideas are so bound up with the one master-thought that even the trivial cares of our own person become so many acts of devotion, and the love of life itself is translated into a wish to remain in the same world with so precious and desirable a fellow-creature. And all the while their acquaintances look on in stupor, and ask each other, with almost passionate emphasis, what so-and-so can see in that woman, or such-an-one in that man? I am sure, gentlemen, I cannot tell you. For my part, I cannot think what the women mean. It might be very well, if the Apollo Belvedere should suddenly glow all over into life, and step forward from the pedestal with that godlike air of his. But of the misbegotten changelings who call themselves men, and prate intolerably over dinner-tables, I never saw one who seemed worthy to inspire love - no, nor read of any, except Leonardo da Vinci, and perhaps Goethe in his youth. About women I entertain a somewhat different opinion; but there, I have the misfortune to be a man.
There are many matters in which you may waylay Destiny, and bid him stand and deliver. Hard work, high thinking, adventurous excitement, and a great deal more that forms a part of this or the other person's spiritual bill of fare, are within the reach of almost any one who can dare a little and be patient. But it is by no means in the way of every one to fall in love. You know the difficulty Shakespeare was put into when Queen Elizabeth asked him to show Falstaff in love. I do not believe that Henry Fielding was ever in love. Scott, if it were not for a passage or two in ROB ROY, would give me very much the same effect. These are great names and (what is more to the purpose) strong, healthy, high-strung, and generous natures, of whom the reverse might have been expected. As for the innumerable army of anaemic and tailorish persons who occupy the face of this planet with so much propriety, it is palpably absurd to imagine them in any such situation as a love-affair. A wet rag goes safely by the fire; and if a man is blind, he cannot expect to be much impressed by romantic scenery. Apart from all this, many lovable people miss each other in the world, or meet under some unfavourable star. There is the nice and critical moment of declaration to be got over. From timidity or lack of opportunity a good half of possible love cases never get so far, and at least another quarter do there cease and determine. A very adroit person, to be sure, manages to prepare the way and out with his declaration in the nick of time. And then there is a fine solid sort of man, who goes on from snub to snub; and if he has to declare forty times, will continue imperturbably declaring, amid the astonished consideration of men and angels, until he has a favourable answer. I daresay, if one were a woman, one would like to marry a man who was capable of doing this, but not quite one who had done so. It is just a little bit abject, and somehow just a little bit gross; and marriages in which one of the parties has been thus battered into consent scarcely form agreeable subjects for meditation. Love should run out to meet love with open arms. Indeed, the ideal story is that of two people who go into love step for step, with a fluttered consciousness, like a pair of children venturing together into a dark room. From the first moment when they see each other, with a pang of curiosity, through stage after stage of growing pleasure and embarrassment, they can read the expression of their own trouble in each other's eyes. There is here no declaration properly so called; the feeling is so plainly shared, that as soon as the man knows what it is in his own heart, he is sure of what it is in the woman's.
This simple accident of falling in love is as beneficial as it is astonishing. It arrests the petrifying influence of years, disproves cold-blooded and cynical conclusions, and awakens dormant sensibilities. Hitherto the man had found it a good policy to disbelieve the existence of any enjoyment which was out of his reach; and thus he turned his back upon the strong sunny parts of nature, and accustomed himself to look exclusively on what was common and dull. He accepted a prose ideal, let himself go blind of many sympathies by disuse; and if he were young and witty, or beautiful, wilfully forewent these advantages. He joined himself to the following of what, in the old mythology of love, was prettily called NONCHALOIR; and in an odd mixture of feelings, a fling of self-respect, a preference for selfish liberty, and a great dash of that fear with which honest people regard serious interests, kept himself back from the straightforward course of life among certain selected activities. And now, all of a sudden, he is unhorsed, like St. Paul, from his infidel affectation. His heart, which has been ticking accurate seconds for the last year, gives a bound and begins to beat high and irregularly in his breast. It seems as if he had never heard or felt or seen until that moment; and by the report of his memory, he must have lived his past life between sleep and waking, or with the preoccupied attention of a brown study. He is practically incommoded by the generosity of his feelings, smiles much when he is alone, and develops a habit of looking rather blankly upon the moon and stars. But it is not at all within the province of a prose essayist to give a picture of this hyperbolical frame of mind; and the thing has been done already, and that to admiration. In ADELAIDE, in Tennyson's MAUD, and in some of Heine's songs, you get the absolute expression of this midsummer spirit. Romeo and Juliet were very much in love; although they tell me some German critics are of a different opinion, probably the same who would have us think Mercutio a dull fellow. Poor Antony was in love, and no mistake. That lay figure Marius, in LES MISERABLES, is also a genuine case in his own way, and worth observation. A good many of George Sand's people are thoroughly in love; and so are a good many of George Meredith's. Altogether, there is plenty to read on the subject. If the root of the matter be in him, and if he has the requisite chords to set in vibration, a young man may occasionally enter, with the key of art, into that land of Beulah which is upon the borders of Heaven and within sight of the City of Love. There let him sit awhile to hatch delightful hopes and perilous illusions.
One thing that accompanies the passion in its first blush is certainly difficult to explain. It comes (I do not quite see how) that from having a very supreme sense of pleasure in all parts of life - in lying down to sleep, in waking, in motion, in breathing, in continuing to be - the lover begins to regard his happiness as beneficial for the rest of the world and highly meritorious in himself. Our race has never been able contentedly to suppose that the noise of its wars, conducted by a few young gentlemen in a corner of an inconsiderable star, does not re-echo among the courts of Heaven with quite a formidable effect. In much the same taste, when people find a great to-do in their own breasts, they imagine it must have some influence in their neighbourhood. The presence of the two lovers is so enchanting to each other that it seems as if it must be the best thing possible for everybody else. They are half inclined to fancy it is because of them and their love that the sky is blue and the sun shines. And certainly the weather is usually fine while people are courting. . . In point of fact, although the happy man feels very kindly towards others of his own sex, there is apt to be something too much of the magnifico in his demeanour. If people grow presuming and self-important over such matters as a dukedom or the Holy See, they will scarcely support the dizziest elevation in life without some suspicion of a strut; and the dizziest elevation is to love and be loved in return. Consequently, accepted lovers are a trifle condescending in their address to other men. An overweening sense of the passion and importance of life hardly conduces to simplicity of manner. To women, they feel very nobly, very purely, and very generously, as if they were so many Joan-of-Arc's; but this does not come out in their behaviour; and they treat them to Grandisonian airs marked with a suspicion of fatuity. I am not quite certain that women do not like this sort of thing; but really, after having bemused myself over DANIEL DERONDA, I have given up trying to understand what they like.
If it did nothing else, this sublime and ridiculous superstition, that the pleasure of the pair is somehow blessed to others, and everybody is made happier in their happiness, would serve at least to keep love generous and great-hearted. Nor is it quite a baseless superstition after all. Other lovers are hugely interested. They strike the nicest balance between pity and approval, when they see people aping the greatness of their own sentiments. It is an understood thing in the play, that while the young gentlefolk are courting on the terrace, a rough flirtation is being carried on, and a light, trivial sort of love is growing up, between the footman and the singing chambermaid. As people are generally cast for the leading parts in their own imaginations, the reader can apply the parallel to real life without much chance of going wrong. In short, they are quite sure this other love-affair is not so deep seated as their own, but they like dearly to see it going forward. And love, considered as a spectacle, must have attractions for many who are not of the confraternity. The sentimental old maid is a commonplace of the novelists; and he must be rather a poor sort of human being, to be sure, who can look on at this pretty madness without indulgence and sympathy. For nature commends itself to people with a most insinuating art; the busiest is now and again arrested by a great sunset; and you may be as pacific or as cold-blooded as you will, but you cannot help some emotion when you read of well-disputed battles, or meet a pair of lovers in the lane.
Certainly, whatever it may be with regard to the world at large, this idea of beneficent pleasure is true as between the sweethearts. To do good and communicate is the lover's grand intention. It is the happiness of the other that makes his own most intense gratification. It is not possible to disentangle the different emotions, the pride, humility, pity and passion, which are excited by a look of happy love or an unexpected caress. To make one's self beautiful, to dress the hair, to excel in talk, to do anything and all things that puff out the character and attributes and make them imposing in the eyes of others, is not only to magnify one's self, but to offer the most delicate homage at the same time. And it is in this latter intention that they are done by lovers; for the essence of love is kindness; and indeed it may be best defined as passionate kindness: kindness, so to speak, run mad and become importunate and violent. Vanity in a merely personal sense exists no longer. The lover takes a perilous pleasure in privately displaying his weak points and having them, one after another, accepted and condoned. He wishes to be assured that he is not loved for this or that good quality, but for himself, or something as like himself as he can contrive to set forward. For, although it may have been a very difficult thing to paint the marriage of Cana, or write the fourth act of Antony and Cleopatra, there is a more difficult piece of art before every one in this world who cares to set about explaining his own character to others. Words and acts are easily wrenched from their true significance; and they are all the language we have to come and go upon. A pitiful job we make of it, as a rule. For better or worse, people mistake our meaning and take our emotions at a wrong valuation. And generally we rest pretty content with our failures; we are content to be misapprehended by cackling flirts; but when once a man is moonstruck with this affection of love, he makes it a point of honour to clear such dubieties away. He cannot have the Best of her Sex misled upon a point of this importance; and his pride revolts at being loved in a mistake.
He discovers a great reluctance to return on former periods of his life. To all that has not been shared with her, rights and duties, bygone fortunes and dispositions, he can look back only by a difficult and repugnant effort of the will. That he should have wasted some years in ignorance of what alone was really important, that he may have entertained the thought of other women with any show of complacency, is a burthen almost too heavy for his self-respect. But it is the thought of another past that rankles in his spirit like a poisoned wound. That he himself made a fashion of being alive in the bald, beggarly days before a certain meeting, is deplorable enough in all good conscience. But that She should have permitted herself the same liberty seems inconsistent with a Divine providence.
A great many people run down jealousy, on the score that it is an artificial feeling, as well as practically inconvenient. This is scarcely fair; for the feeling on which it merely attends, like an ill-humoured courtier, is itself artificial in exactly the same sense and to the same degree. I suppose what is meant by that objection is that jealousy has not always been a character of man; formed no part of that very modest kit of sentiments with which he is supposed to have begun the world: but waited to make its appearance in better days and among richer natures. And this is equally true of love, and friendship, and love of country, and delight in what they call the beauties of nature, and most other things worth having. Love, in particular, will not endure any historical scrutiny: to all who have fallen across it, it is one of the most incontestable facts in the world; but if you begin to ask what it was in other periods and countries, in Greece for instance, the strangest doubts begin to spring up, and everything seems so vague and changing that a dream is logical in comparison. Jealousy, at any rate, is one of the consequences of love; you may like it or not, at pleasure; but there it is.
It is not exactly jealousy, however, that we feel when we reflect on the past of those we love. A bundle of letters found after years of happy union creates no sense of insecurity in the present; and yet it will pain a man sharply. The two people entertain no vulgar doubt of each other: but this pre-existence of both occurs to the mind as something indelicate. To be altogether right, they should have had twin birth together, at the same moment with the feeling that unites them. Then indeed it would be simple and perfect and without reserve or afterthought. Then they would understand each other with a fulness impossible otherwise. There would be no barrier between them of associations that cannot be imparted. They would be led into none of those comparisons that send the blood back to the heart. And they would know that there had been no time lost, and they had been together as much as was possible. For besides terror for the separation that must follow some time or other in the future, men feel anger, and something like remorse, when they think of that other separation which endured until they met. Some one has written that love makes people believe in immortality, because there seems not to be room enough in life for so great a tenderness, and it is inconceivable that the most masterful of our emotions should have no more than the spare moments of a few years. Indeed, it seems strange; but if we call to mind analogies, we can hardly regard it as impossible.
"The blind bow-boy," who smiles upon us from the end of terraces in old Dutch gardens, laughingly hails his bird-bolts among a fleeting generation. But for as fast as ever he shoots, the game dissolves and disappears into eternity from under his falling arrows; this one is gone ere he is struck; the other has but time to make one gesture and give one passionate cry; and they are all the things of a moment. When the generation is gone, when the play is over, when the thirty years' panorama has been withdrawn in tatters from the stage of the world, we may ask what has become of these great, weighty, and undying loves, and the sweet-hearts who despised mortal conditions in a fine credulity; and they can only show us a few songs in a bygone taste, a few actions worth remembering, and a few children who have retained some happy stamp from the disposition of their parents.
IV. - TRUTH OF INTERCOURSE
AMONG sayings that have a currency in spite of being wholly false upon the face of them for the sake of a half- truth upon another subject which is accidentally combined with the error, one of the grossest and broadest conveys the monstrous proposition that it is easy to tell the truth and hard to tell a lie. I wish heartily it were. But the truth is one; it has first to be discovered, then justly and exactly uttered. Even with instruments specially contrived for such a purpose - with a foot rule, a level, or a theodolite - it is not easy to be exact; it is easier, alas! to be inexact. From those who mark the divisions on a scale to those who measure the boundaries of empires or the distance of the heavenly stars, it is by careful method and minute, unwearying attention that men rise even to material exactness or to sure knowledge even of external and constant things. But it is easier to draw the outline of a mountain than the changing appearance of a face; and truth in human relations is of this more intangible and dubious order: hard to seize, harder to communicate. Veracity to facts in a loose, colloquial sense - not to say that I have been in Malabar when as a matter of fact I was never out of England, not to say that I have read Cervantes in the original when as a matter of fact I know not one syllable of Spanish - this, indeed, is easy and to the same degree unimportant in itself. Lies of this sort, according to circumstances, may or may not be important; in a certain sense even they may or may not be false. The habitual liar may be a very honest fellow, and live truly with his wife and friends; while another man who never told a formal falsehood in his life may yet be himself one lie - heart and face, from top to bottom. This is the kind of lie which poisons intimacy. And, VICE VERSA, veracity to sentiment, truth in a relation, truth to your own heart and your friends, never to feign or falsify emotion - that is the truth which makes love possible and mankind happy.
L'ART DE BIEN DIRE is but a drawing-room accomplishment unless it be pressed into the service of the truth. The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish. This is commonly understood in the case of books or set orations; even in making your will, or writing an explicit letter, some difficulty is admitted by the world. But one thing you can never make Philistine natures understand; one thing, which yet lies on the surface, remains as unseizable to their wits as a high flight of metaphysics - namely, that the business of life is mainly carried on by means of this difficult art of literature, and according to a man's proficiency in that art shall be the freedom and the fulness of his intercourse with other men. Anybody, it is supposed, can say what he means; and, in spite of their notorious experience to the contrary, people so continue to suppose. Now, I simply open the last book I have been reading - Mr. Leland's captivating ENGLISH GIPSIES. "It is said," I find on p. 7, "that those who can converse with Irish peasants in their own native tongue form far higher opinions of their appreciation of the beautiful, and of THE ELEMENTS OF HUMOUR AND PATHOS IN THEIR HEARTS, than do those who know their thoughts only through the medium of English. I know from my own observations that this is quite the case with the Indians of North America, and it is unquestionably so with the gipsy." In short, where a man has not a full possession of the language, the most important, because the most amiable, qualities of his nature have to lie buried and fallow; for the pleasure of comradeship, and the intellectual part of love, rest upon these very "elements of humour and pathos." Here is a man opulent in both, and for lack of a medium he can put none of it out to interest in the market of affection! But what is thus made plain to our apprehensions in the case of a foreign language is partially true even with the tongue we learned in childhood. Indeed, we all speak different dialects; one shall be copious and exact, another loose and meagre; but the speech of the ideal talker shall correspond and fit upon the truth of fact - not clumsily, obscuring lineaments, like a mantle, but cleanly adhering, like an athlete's skin. And what is the result? That the one can open himself more clearly to his friends, and can enjoy more of what makes life truly valuable - intimacy with those he loves. An orator makes a false step; he employs some trivial, some absurd, some vulgar phrase; in the turn of a sentence he insults, by a side wind, those whom he is labouring to charm; in speaking to one sentiment he unconsciously ruffles another in parenthesis; and you are not surprised, for you know his task to be delicate and filled with perils. "O frivolous mind of man, light ignorance!" As if yourself, when you seek to explain some misunderstanding or excuse some apparent fault, speaking swiftly and addressing a mind still recently incensed, were not harnessing for a more perilous adventure; as if yourself required less tact and eloquence; as if an angry friend or a suspicious lover were not more easy to offend than a meeting of indifferent politicians! Nay, and the orator treads in a beaten round; the matters he discusses have been discussed a thousand times before; language is ready-shaped to his purpose; he speaks out of a cut and dry vocabulary. But you - may it not be that your defence reposes on some subtlety of feeling, not so much as touched upon in Shakespeare, to express which, like a pioneer, you must venture forth into zones of thought still unsurveyed, and become yourself a literary innovator? For even in love there are unlovely humours; ambiguous acts, unpardonable words, may yet have sprung from a kind sentiment. If the injured one could read your heart, you may be sure that he would understand and pardon; but, alas! the heart cannot be shown - it has to be demonstrated in words. Do you think it is a hard thing to write poetry? Why, that is to write poetry, and of a high, if not the highest, order.
I should even more admire "the lifelong and heroic literary labours" of my fellow-men, patiently clearing up in words their loves and their contentions, and speaking their autobiography daily to their wives, were it not for a circumstance which lessens their difficulty and my admiration by equal parts. For life, though largely, is not entirely carried on by literature. We are subject to physical passions and contortions; the voice breaks and changes, and speaks by unconscious and winning inflections; we have legible countenances, like an open book; things that cannot be said look eloquently through the eyes; and the soul, not locked into the body as a dungeon, dwells ever on the threshold with appealing signals. Groans and tears, looks and gestures, a flush or a paleness, are often the most clear reporters of the heart, and speak more directly to the hearts of others. The message flies by these interpreters in the least space of time, and the misunderstanding is averted in the moment of its birth. To explain in words takes time and a just and patient hearing; and in the critical epochs of a close relation, patience and justice are not qualities on which we can rely. But the look or the gesture explains things in a breath; they tell their message without ambiguity; unlike speech, they cannot stumble, by the way, on a reproach or an allusion that should steel your friend against the truth; and then they have a higher authority, for they are the direct expression of the heart, not yet transmitted through the unfaithful and sophisticating brain. Not long ago I wrote a letter to a friend which came near involving us in quarrel; but we met, and in personal talk I repeated the worst of what I had written, and added worse to that; and with the commentary of the body it seemed not unfriendly either to hear or say. Indeed, letters are in vain for the purposes of intimacy; an absence is a dead break in the relation; yet two who know each other fully and are bent on perpetuity in love, may so preserve the attitude of their affections that they may meet on the same terms as they had parted.
Pitiful is the case of the blind, who cannot read the face; pitiful that of the deaf, who cannot follow the changes of the voice. And there are others also to be pitied; for there are some of an inert, uneloquent nature, who have been denied all the symbols of communication, who have neither a lively play of facial expression, nor speaking gestures, nor a responsive voice, nor yet the gift of frank, explanatory speech: people truly made of clay, people tied for life into a bag which no one can undo. They are poorer than the gipsy, for their heart can speak no language under heaven. Such people we must learn slowly by the tenor of their acts, or through yea and nay communications; or we take them on trust on the strength of a general air, and now and again, when we see the spirit breaking through in a flash, correct or change our estimate. But these will be uphill intimacies, without charm or freedom, to the end; and freedom is the chief ingredient in confidence. Some minds, romantically dull, despise physical endowments. That is a doctrine for a misanthrope; to those who like their fellow-creatures it must always be meaningless; and, for my part, I can see few things more desirable, after the possession of such radical qualities as honour and humour and pathos, than to have a lively and not a stolid countenance; to have looks to correspond with every feeling; to be elegant and delightful in person, so that we shall please even in the intervals of active pleasing, and may never discredit speech with uncouth manners or become unconsciously our own burlesques. But of all unfortunates there is one creature (for I will not call him man) conspicuous in misfortune. This is he who has forfeited his birthright of expression, who has cultivated artful intonations, who has taught his face tricks, like a pet monkey, and on every side perverted or cut off his means of communication with his fellow-men. The body is a house of many windows: there we all sit, showing ourselves and crying on the passers-by to come and love us. But this fellow has filled his windows with opaque glass, elegantly coloured. His house may be admired for its design, the crowd may pause before the stained windows, but meanwhile the poor proprietor must lie languishing within, uncomforted, unchangeably alone.
Truth of intercourse is something more difficult than to refrain from open lies. It is possible to avoid falsehood and yet not tell the truth. It is not enough to answer formal questions. To reach the truth by yea and nay communications implies a questioner with a share of inspiration, such as is often found in mutual love. YEA and NAY mean nothing; the meaning must have been related in the question. Many words are often necessary to convey a very simple statement; for in this sort of exercise we never hit the gold; the most that we can hope is by many arrows, more or less far off on different sides, to indicate, in the course of time, for what target we are aiming, and after an hour's talk, back and forward, to convey the purport of a single principle or a single thought. And yet while the curt, pithy speaker misses the point entirely, a wordy, prolegomenous babbler will often add three new offences in the process of excusing one. It is really a most delicate affair. The world was made before the English language, and seemingly upon a different design. Suppose we held our converse not in words, but in music; those who have a bad ear would find themselves cut off from all near commerce, and no better than foreigners in this big world. But we do not consider how many have "a bad ear" for words, nor how often the most eloquent find nothing to reply. I hate questioners and questions; there are so few that can be spoken to without a lie. "DO YOU FORGIVE ME?" Madam and sweetheart, so far as I have gone in life I have never yet been able to discover what forgiveness means. "IS IT STILL THE SAME BETWEEN US?" Why, how can it be? It is eternally different; and yet you are still the friend of my heart. "DO YOU UNDERSTAND ME?" God knows; I should think it highly improbable.
The cruellest lies are often told in silence. A man may have sat in a room for hours and not opened his teeth, and yet come out of that room a disloyal friend or a vile calumniator. And how many loves have perished because, from pride, or spite, or diffidence, or that unmanly shame which withholds a man from daring to betray emotion, a lover, at the critical point of the relation, has but hung his head and held his tongue? And, again, a lie may be told by a truth, or a truth conveyed through a lie. Truth to facts is not always truth to sentiment; and part of the truth, as often happens in answer to a question, may be the foulest calumny. A fact may be an exception; but the feeling is the law, and it is that which you must neither garble nor belie. The whole tenor of a conversation is a part of the meaning of each separate statement; the beginning and the end define and travesty the intermediate conversation. You never speak to God; you address a fellow-man, full of his own tempers; and to tell truth, rightly understood, is not to state the true facts, but to convey a true impression; truth in spirit, not truth to letter, is the true veracity. To reconcile averted friends a Jesuitical discretion is often needful, not so much to gain a kind hearing as to communicate sober truth. Women have an ill name in this connection; yet they live in as true relations; the lie of a good woman is the true index of her heart.
"It takes," says Thoreau, in the noblest and most useful passage I remember to have read in any modern author, (1) "two to speak truth - one to speak and another to hear." He must be very little experienced, or have no great zeal for truth, who does not recognise the fact. A grain of anger or a grain of suspicion produces strange acoustical effects, and makes the ear greedy to remark offence. Hence we find those who have once quarrelled carry themselves distantly, and are ever ready to break the truce. To speak truth there must be moral equality or else no respect; and hence between parent and child intercourse is apt to degenerate into a verbal fencing bout, and misapprehensions to become ingrained. And there is another side to this, for the parent begins with an imperfect notion of the child's character, formed in early years or during the equinoctial gales of youth; to this he adheres, noting only the facts which suit with his preconception; and wherever a person fancies himself unjustly judged, he at once and finally gives up the effort to speak truth. With our chosen friends, on the other hand, and still more between lovers (for mutual understanding is love's essence), the truth is easily indicated by the one and aptly comprehended by the other. A hint taken, a look understood, conveys the gist of long and delicate explanations; and where the life is known even YEA and NAY become luminous. In the closest of all relations - that of a love well founded and equally shared - speech is half discarded, like a roundabout, infantile process or a ceremony of formal etiquette; and the two communicate directly by their presences, and with few looks and fewer words contrive to share their good and evil and uphold each other's hearts in joy. For love rests upon a physical basis; it is a familiarity of nature's making and apart from voluntary choice. Understanding has in some sort outrun knowledge, for the affection perhaps began with the acquaintance; and as it was not made like other relations, so it is not, like them, to be perturbed or clouded. Each knows more than can be uttered; each lives by faith, and believes by a natural compulsion; and between man and wife the language of the body is largely developed and grown strangely eloquent. The thought that prompted and was conveyed in a caress would only lose to be set down in words - ay, although Shakespeare himself should be the scribe.
(1) A WEEK ON THE CONCORD AND MERRIMACK RIVERS, Wednesday, p. 283.
Yet it is in these dear intimacies, beyond all others, that we must strive and do battle for the truth. Let but a doubt arise, and alas! all the previous intimacy and confidence is but another charge against the person doubted. "WHAT A MONSTROUS DISHONESTY IS THIS IF I HAVE BEEN DECEIVED SO LONG AND SO COMPLETELY!" Let but that thought gain entrance, and you plead before a deaf tribunal. Appeal to the past; why, that is your crime! Make all clear, convince the reason; alas! speciousness is but a proof against you. "IF YOU CAN ABUSE ME NOW, THE MORE LIKELY THAT YOU HAVE ABUSED ME FROM THE FIRST."
For a strong affection such moments are worth supporting, and they will end well; for your advocate is in your lover's heart and speaks her own language; it is not you but she herself who can defend and clear you of the charge. But in slighter intimacies, and for a less stringent union? Indeed, is it worth while? We are all INCOMPRIS, only more or less concerned for the mischance; all trying wrongly to do right; all fawning at each other's feet like dumb, neglected lap- dogs. Sometimes we catch an eye - this is our opportunity in the ages - and we wag our tail with a poor smile. "IS THAT ALL?" All? If you only knew! But how can they know? They do not love us; the more fools we to squander life on the indifferent.
But the morality of the thing, you will be glad to hear, is excellent; for it is only by trying to understand others that we can get our own hearts understood; and in matters of human feeling the clement judge is the most successful pleader.