Author:George Cruikshank
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British caricaturist and book illustrator
George Cruikshank
Works[edit]
As illustrator[edit]
- Hone, William (1819), The Bank Restriction Barometer
- Hone, William (1819), The Political House that Jack Built (external scan)
- Egan, Pierce (1821), Life in London
- Various (1835–1853), The Comic Almanack
- Grimm, Jacob and Grimm, Wilhelm (1823–26), German Popular Stories, republished as Grimm's Goblins (1876) with two additional illustrations
- Dale, Robert (1834) Descriptive account of the panoramic view, &c. of King George's Sound, and the adjacent country (frontispiece only)
- Dickens, Charles (1836), Sketches by Boz
- Dickens, Charles (1837–1838), The Mudfog Papers
- Dickens, Charles (1838), Oliver Twist
- Various (1842), Omnibus (1842)
- Windsor Castle by William Harrison Ainsworth (1843) (start transcription)
- Maxwell, William Hamilton (1845), History of the Irish rebellion in 1798
Correspondence[edit]
- Cruikshank, George (1871), [A letter published in The Times of 30 December 1871, claiming credit for much of the plot of Oliver Twist.]
As author[edit]
- Points of Humor (1824) [
- George Cruikshank's Omnibus (1842) PG
- The Bachelor's Own Book: Being Twenty-Four Passages In The Life Of Mr. Lambkin, (Gent.) (1845) PG
- Sinks of London Laid Open (1848) PG
- Second Edition of A Discovery Concerning Ghosts (1864) PG
- My Sketch Book (1882) PG
- The Wonderful Story of Blue Beard, and His Last Wife (?) PG
- Four Hundred Humorous Illustrations (?)
Works about Cruikshank[edit]
- An Essay on the Genius of George Cruikshank: with numerous illustrations of his works (1840), by William Makepeace Thackeray (external scan)
- The Life of George Cruikshank in Two Epochs, (1882) by Blanchard Jerrold
- "Cruikshank, George," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
- "Cruikshank, George," in Encyclopædia Britannica (11th ed., 1911)
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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