Page:The Plays of William Shakspeare (1778).djvu/128

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116
Mr. POPE’s PREFACE.

borrowed nothing, it was said that Ben Jonson borrowed every thing. Because Jonson did not write extempore, he was reproached with being a year about every piece; and Shakespeare wrote with ease and rapidity, they cried, he never once made a blot. Nay, the spirit of opposition ran so high, that whatever those of the one side objected to the other, was taken at the rebound, and turned into praises; as injudiciously, as their antagonists before had made them objections.

Poets are always afraid of envy; but sure they have as much reason to be afraid of admiration. They are the Scylla and Charybdis of authors; those who escape one, often fall by the other. Pessimum genus inimicorum laudantes, says Tacitus: and Virgil desires to wear a charm against those who praise a poet without rule or reason.


———Si ultra placitum laudârit baccare frontem
Cingito, ne vati noceat————


But however this contention might be carried on by the the partizans on either side, I cannot help thinking these two great poets were good friends, and lived on amicable terms and in offices of society with each other. It is an acknowledged fact, that Ben Jonson was introduced upon the stage, and his first works encouraged, by Shakespeare. And after his death, that author writes, To the memory of his beloved Mr. William Shakespeare, which shews as if the friendship had continued through life. I cannot for my own part find any thing invidious or sparing in those verses, but wonder Mr. Dryden was of that opinion. He exalts him not only above all his contemporaries, but above Chaucer and Spenser, whom he will not allow to be great enough to be ranked with him; and challenges the names of Sophocles, Euripides, and Æschylus, nay, all Greece and Rome at once; to equal him; and (which is very particular) expressly vindicates him from the imputation of wanting art, not enduring that all his excellencies should be attributed to nature. It is remarkable too, that the praise he gives him in his Discoveries seems to proceed from a personal kindness; he tells us, that he loved the man, as well as honoured his memory; celebrates the honesty, openness, and frankness of his temper; and only distinguishes, as he reasonably ought, between the real merit of the author, and the silly and derogatory applauses of the players. Ben Jonson might indeed be sparing